Author and designer Emily Lewis answers your questions about microformats, designing for mobile, going freelance full-time, and getting involved in the speaker circuit
Wilson Miner has designed for Apple, the original Django, and was until recently head of design at Rdio (he’s just joined Facebook). Here he answers your questions on designing for social music, using Photoshop and more …
In the first of a regular series of reports, Lea Verou summarises the latest need-to-know developments in the fast-moving world of the Working Groups ...
Designer and developer Christopher Schmitt examines the problem of adaptive images and looks at issues such as screen resolution and Retina displays, bandwidth and browser width
Christopher Schmitt calls for a responsive image format that's a storage locker and similar to the MP3 format and explains its benefits and the main issues in its way
Christopher Schmitt explains how to keep users of both Retina and traditional screens happy, by delivering adaptive and flexible images to suit all resolutions
The law on cookies changes on Saturday within the EU, and designers and website owners are fretting about compliance. Richard Beaumont of The Cookie Collective explains how to keep your site legal
Keith Butters, chief experience officer and co-founder of The Barbarian Group, asks how sustainable it is to design and develop for an infinite number of devices
Many sites neglect users with slow connections. Ian Culshaw explains how to use SVG library Raphaël to create a preloader that’ll hold the users' attention while pages load
This tutorial will teach you the basics of RESS (Responsive Design + Server Side Components) and how you can build a responsive page that works well on small screens with the help of server side technologies
Chris Shiflett, co-founder of Analog, Mapalong, and the Brooklyn Beta conference, talks about a startup accelerator program for making "stuff that matters"
Our experts respond to Paul Boag’s recent tweet: “@boagworld … We need to realign our thinking. Job satisfaction should come from producing design the client loves, not design we (or our peers) love.”